Tuesday, February 22, 2011

Prep for Peril and Promise of YA Literature- bookhenge

         YA literature continues to remain a mystery to me. Aronson, in section 4 of Beyond the Pale, suggests that any book can be YA literature. His final quote in the chapter reads, "To return to the publishing dilemma, a YA book is one that offers art and ideas in a fashion that communicates especially well to teenagers. A book a teenager should read, is any book". We have to keep in mind that this is from the standpoint of a publisher. I look at the book that I'm working on and assume that it isn't meant directly for teenagers. Could teenagers read it? Certainly. In the same way that a teenager might pick up a book like Tolkien's and really dive into it. However, YA authors will clearly be gearing their content and work towards a YA crowd and must offer as he says "art and ideas" in a way that "communicates especially well to teenagers".
        However, in his other article, Aronson seems to struggle with what it is that really communicates and connects well with teenagers. His article addresses the disconnect we find between knowing that YA literature is popular and what it is that kids get out of these books. Aronson says, "We know that young people respond to books. And we know that authors, parents, and teachers all try hard to mold that responsiveness through the art and text in books". So there is response and there is a host of different people trying to make literature that brings out a good quality in that response. But Aronson asserts that everything else involved in the process of YA literature is somewhat of a mystery.
         I still belive that there is something in each person, some unique perspective, that is unpredictable. Based on the myriad of experiences, dreams, hopes, and passions that each person experiences, it is hard to know what they will highlight in any given work. What they find beautiful about a certain novel or piece of art is going to be different than what any of us might see. That is why we must work on what we do control as teachers and writers. One, we can help to encourage reading and writing in every high schooler/middle schooler we meet. Two, we can continually address the content of the books we write and suggest to make sure they are positively reinforcing.
        I would clearly be a little more on the literary side of the continuum. I do have a sense of morals and I know there are certain books that contain some information that is simply not appropriate for certain high school ages and certain middle school ages to read. How would I operate then? I'd give students as many opportunities to read as possible. I'd find ways to enliven texts that really do find themselves in the canon and I would also do my best to find out what students are looking for. I might not have a book like Nothing or Will Grayson, Will Grayson involved in my classroom. However, if I know it is the type of book that would relate very clearly to one of my students that is struggling to get into the text that we're currently studying, I'd suggest it just for the sake of keeping them on their literary toes.
       I also think that Aronson makes a good point about the disconnect between YA literature creation and target audiences. He seems to suggest that by the time most writers have the writing ability necessary to go back and write about their experiences, they have lost touch with what it was like to be that age. Thus, the target audience is much harder to connect with. I had the pleasure of meeting with a young writers club at Carrboro High School the other afternoon and I encouraged them to journal, journal, and then journal some more. I showed them the quotes by Aronson about how these writers struggle to really connect to young teens. I then suggested that the more they journal, the more they write down feelings, struggles, hopes, and dreams; the easier it will be for them to look back at this time and capture it with the ever-increasing writing skill they experience as they grow as writers. They seemed extremely excited about this fact.
        It is our responsibility to encourage students towards writing and reading as often as we possiblly can. I think a lot of YA literature needs to be incorporated. Certainly, some of the classics should never go untaught, but why not use literature that has managed to connect with a rising, transforming generation.
bookhenge

5 comments:

  1. Scott, great post! I love how you encouraged your Carrboro students to continue journaling with an eye to the future. Personally, I found some of Aronson's comments troubling. The thought of an author writing a book to persuade a teen is a bit scary. I know authors write with the purpose of influencing adults. That seems fair to me. But do kids possess the skills necessary to process an adult manipulation? I think most of them are more savvy than adults give them credit for being. I do think it is important to be tuned in to their reactions to books. Perhaps that is the best reason to include YA in the classroom -- so that caring adults can be an active part of the process.

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  2. You come to the study of "Learning Through Literature with Young Adults" from a unique perspective, Scott, as one who is not only a future teacher but a future author. It sounds like your plan is not to write specifically for young adults but that your work in fantasy may appeal to many young adults who find that genre compelling.

    I predict that you'll walk a tightrope if you continually check yourself to make sure that "the content . . . is positively reinforcing." From the authors we've interviewed in the Bookhenge and those I've heard speak elsewhere, it seems there's unanimous agreement that the role of the author is to write a good story and not to send a good message. As you've so clearly expressed, we can't give a reader a message -- not an author and not a teacher -- that will be unique to the reader. But if an author tells a story that engages and compels a reader to think deeply and thoughtfully and a teacher creates the conditions for that to happen in the classroom -- then art and life will be well served.

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  3. It's me again. Meant to second Jen and add that part of the role of the teacher in creating the conditions for students to think deeply and reflectively is to provide a space for discussion where "caring adults can be an active part of the process." You'd hope that parents would have a realistic grasp on the world their teens are growing up in and know their teens well so they can be part of the conversation, too.

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  4. I share your notion that YA lit remains a mystery. It certainly is problematic that the writers of YA lit try to connect their own adolescent experiences to today's teens. Aronson said, “Authors are mining their own adolescence, teenagers are living there” (p. 87). While the crux of teen issues remains consistent, the ways in which teens deal with issues are vastly different from generation to generation. Certainly, my coming of age experiences in the eighties would seem totally disjointed now. The disconnect is just one problem that plagues the enigmatic YAL genre.

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  5. I'm glad you commented on the gap between the experiences of young adults and the time when as adults they look back and write about those experiences. There has to be something lost in that gap. Talk about an unreliable narrator!

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